Food Fiction by Nicolas Pichay
Che Un Learns Pinakbet
(From the last chapter: It has been a month since Beth found a job as an “all around” in the dirty kitchen of a Chinese restaurant in Binondo. Since then, she’s been taught how to prepare food by the young Sidhharta-looking Che Un, who is now—yet again—unobstrusive in her admiration for Beth, like a monk meditating on the rising radiance of dawn. We hear Che Un, in his mind, speak English.)
I, Che Un offer , and Beth (her hair still rumpled by sleep, her skin tight in the cold of 5 a.m.) accepts a bowl of fresh hot congee under the four flourescent lights of the dirty kitchen.
Groggily, she walks in her over-used flip-flops, she rests the bowl on the small table across where I stand and begins to scoop the rice soup. She blows across the chinese spoon, slightly opens her mouth, and sips the broth. Her eyes are half closed as the heat from the congee rises to her palate. Then the warmth of ginger registers in her tongue and finally, the smoldering heat of the sprinkled chilli and fried garlic bits spread in her mouth like running fire. Sweat forms into a tiny drop at her temples, near her left ear.
In this cold morning, the heat of my congee has run through Beth’s body. I could wipe that sweat dew on her cheek. I could touch her but I would burn; be engulfed in flames; be consumed by a conflagration more instant than chinese noodles dropped into boiling water. Nothing would be left but the ash of my body forever suspended in air, and the tar of my bones indelibly marked on the floor . And I will accept this destruction as my fate. The price I will willingly pay for a chance to stand near her face, close enough to catch a whiff of her ungargled morning breath.
I, Che Un, look again at her face and there is a grain of rice stuck between her upper lip and her nose. I half jump back thinking it a witch. I drop a saucepan cover. The witch bends down and picks it up for me. And she look s up from where she has crouched, the metal cover momentarily blocks her face from view. She rises, and the face is revealed. A moment of recognition. The wart of rice on her face has transformed into a delicate yellow pearl suspended upon a landscape of serenity.
I sigh looking at the floor. In the corner of my eye, I see her smile. There are bits of brown garlic on her teeth. I look away at the kitchen clock. It is 5:30 a.m. When I look at her again, I see that there are black bits also on her gums. Could they be rare black orchids adorning her beauty? Another quick look. The garlic had turned soggy by now and look like polka dot cavities on her teeth.
She looked exotic.
I, Che Un, speak these thoughts in my mind wanting to share them with Beth. But what good will that do? Despite all my expressiveness, I may well be deaf and mute before Beth’s eyes. I speak no Filipino. She knows nothing of Cantonese. And the English that we both now is just enough to cover our naked bashfulness.
And so it comes to pass that I keep my thoughts in my mind—a strange place where anything can happen—and imagine myself talking in English in the vain hope that one day, Beth may open my heart. On that day, these thoughts would pour out like mongo grains escaping from a hole in a sack, unto the ground, where it will turn to letters and assemble into words for her to read.
Yesterday we prepared a 12-course lunch for a party of 100 people. Even with the two-day preparations and the hiring of additional kitchen hands, it was hellish as hell goes.
My Dear Beth,
I am so grateful that you had taught me how to prepare your most favorite dish the hellish afternoon we prepared lunch for a party of .
It has been a month since we’ve first met in the dirty kitchen of the Chinese restaurant And so I am speaking in my mind. And in my mind, I still cannot imagine speaking in Tagalog. But in it, I am more comfortable to use English.
ARCHIVES of July , 2005
- Asia-Pacific Writers supports S.E.A.Write Festival 2012
- Review: Ora Nui 2012 Maori Literary Journal
- FEATURE FILM REVIEW: SKY WHISPERERS: RANGINUI
- Review: THE PARIHAKA WOMAN
- Cha “Encountering” Poetry Contest
- Writing Out of Asia
- ME’A KAI The Food and Flavours of the South Pacific
- WILFUL BLINDNESS - WHY WE IGNORE THE OBVIOUS AT OUR PERIL
- ME TE OTURU: RADIANT LIKE THE FULL MOON - A REVIEW ESSAY OF FIONA KIDMAN’S MEMOIRS.
- Good news for readers of Indonesian literature in translation!
- UEA Fellowship for creative writers living in South Asia
- MORE THAN 1.5 MILLION VISITORS
- Writing Across Cultures’ papers & provocations available online
- Memoir/ Fiction/ Travel Writing masterclasses with Beth Yahp
- Yuanxiang (Otherland Literary Journal) No. 13, 2011 now out
- REVIEW: WATER WHISPERERS TANGAROA
- Review: The World According to Monsanto
- SHAPESHIFTING PASSAGES
- ICPC Statement on the Passing of Zhang Jianhong
- REVIEW:TALANOA, TAFAKATATA, TAFAKALANU: TONGAN STORIES FROM THE PACIFIC
- REVIEW: ROUTES AND ROOTS: NAVIGATING CARIBBEAN AND PACIFIC ISLAND LITERATURES
- REVIEW: MY UROHS
- Review: FOOD FROM NORTHERN LAOS – THE BOAT LANDING COOKBOOK
- REVIEW: BETRAYAL, TRUST AND FORGIVENESS – A GUIDE TO EMOTIONAL HEALING AND SELF-RENEWAL
- ASM TO LAUNCH 13 NEW BOOKS ON SATURDAY DECEMBER 18
- Collected Works Bookshop, Melbourne
- National Novel Writing Month
- PEN All-India Statement on Rohinton Mistry Ban
- 独立中文笔会关于刘晓波荣!
- Dr. Liu Xiaobo, is awarded to the Nobel Peace Prize for 2010
- Oceanic Conference on Creativity and Climate Change - Oceans, Islands and Seas
- Kia Ora Book and DVD review
- 世界各地笔会等49团体就北京&#
- A Joint Statement on the Trial of Dr Liu Xiaobo
- *CALL FOR SHORT STORIES*
- Review: THE TROWENNA SEA
- WRITING ACROSS CULTURES
- Atlas of Unknowns, by Tania James
- GuideGecko Writing Contest
- `A LOVE FOR LIFE - SILENCE & HIV’
- SRI LANKA: Tamil journalist sentenced to twenty years imprisonment
- Peril’s Call for Submissions - Issue 8
- PEN International Magazine seeking contributions
- Asia Literary Review is calling for submissions
- Perfectly Frank
- Asia Literary Review
- Iran news in brief. July 22
- Sydney PEN condemns censorship attempt; congratulates Melbourne Film Festival
- Review: EARTH WHISPERERS PAPATUANUKU: AN EMPOWERING BLUEPRINT FOR CHANGE.
- Asia Literary Review now has an online presence
- Iran movement news of the past three days in brief
- COMMEMORATING HABIB TANVIR
- Protest of the Light
- New book of poetry: Eigth Habitation
- New Book: Look Who’s Morphing
- On Human Rights and Media Freedom in Sri Lanka
- Review: The Wild Green Yonder
- Seventh issue of Cha: An Asian Literary Journal has now been launched
- THE ASIALINK ESSAYS SERIES
- 今年 六 四之夜 请点亮一支蜡&
- 4TH June 2009, is the twentieth anniversary of Tiananmen Square Pro-Democratic Movement,
- Anatomizing the colonised mind
- SILVERFISH NEW BOOKS: Malay Politics
- Jealousy is my middle name
- On the Quiet Water
- Giramondo books shortlisted for Literary awards
- 2009 Indonesian Arts and Culture Scholarship Program
- 刘霞:呼吁释放我的丈夫刘
- Release Dr. Liu Xiaobo
- Talk and Reading By RANDHIR KHARE
- Launch Beyond the Beaten Track: Offbeat Poems from Gujarat
- The Expat’s Partner: An Email
- The Asia-Pacific Writing Partnership Relocates to the University of Adelaide
- The sixth issue of Cha: An Asian Literary Journal has now been launched
- Almost Island
- Sherna Khambatta Literary Agency
- Update: Centre for Literary Arts and Publishing
- Literatures in Other Languages
- Special Cha Edition: Contents
- Reflections on an Online Journal
- Zelkova Tree
- On Giving Birth to Your Daughter
- Ellipsing, Elapsing
- Whose Woods These Are
- The Mourning Months
- Smashing up the Grand Piano
- Spectral Questions of the Body
- At Hac Sa Beach, Macau
- Bad English
- Flowers are as permanent as Brick
- A Veteran Talking
- A Water Planet
- To John Lyman and the Portrait of his Father
- There’s Always Things to Come back to the Kitchen for
- The Ghost in the Mirror
- Bet
- Betrayal
- The Killing
- Pusat
- 国际笔会三百多作家联署呼