Due to such interesting submissions (and too few places), I’m proposing a second series of fortnightly Memoir/ Fiction/ Travel Writing masterclasses, beginning 2 April 2011 - please do let anyone who might be interested know. Thanks!
These workshops would be a chance for participants to work with me (and other members of a small workshop group of 6) over a sustained period in the development of their writing towards a larger piece of work - e.g. a travel book, a memoir, a novel, a collection of stories.
The masterclasses feature indepth workshopping and detailed written editorial feedback from me each meeting, as well as a lesson focussing on an advanced writing skill (e.g. structure, transitions, point of view) and in-class writing exercises.
The masterclasses are for people who have previously attended writing workshops or classes, or have already published their writing, and therefore have some experience of writing craft. They are strictly limited to 6 participants to ensure that everyone has adequate time for discussion and feedback on their writing projects.
The meetings are fortnightly for the first three weeks, with a month’s break in April, then fortnightly for the final 3 weeks.
Here are the details:
When: 6 fortnightly meetings, beginning 2 April 2011.
Dates: Saturdays: 2, 16 & 30 April, 14 & 28 May, 11 June 2011.
Time: 2.30 - 6.40pm (there will be two 5 minute breaks)
Where: Bronte 2024, Sydney
Cost: $600 for six 4-hour meetings + one detailed edit of your work from me per meeting
You will get: A reader of course readings and writing craft notes, in-class writing exercises, presentation/discussion of particular writing/editing skills & techniques, and one detailed written edit of your submitted work per meeting (up to 2000 word submissions per meeting, 6 detailed edits from me in total). Each meeting you will also receive verbal feedback and detailed discussion of your work from me and other members of the group. You will also get acess to a safe space in which to test out your writing and exchange ideas and skills - a community of writers, engaged in a similar writing journey. Tea/ coffee/ snacks also provided.
Course covers: In-depth writing and editing skills for fiction and creative non-fiction (memoir/ travel narratives); generation of new material through writing exercises and reading/ discussion of samples of particular craft skills; advice on writing craft and sustaining your writing life, as well as publication strategies; how to give and receive feedback/ criticism that is supportive and helpful to yourself and others as writers; mentorship of you as a writer and of your writing project over the period of the course.
Application Process & Registration: Due to the small number of participants, there will be a selection process based on whether I consider I can be of assistance to you and your writing project; quality of work; and how I think the different projects in the group will resonate with each other. Selection will be based on a half page description of your project, as well as a two page example of your writing, which should be submitted to me by email ASAP.
Closing Date for Applications: 20 March 2011 (but as places are limited, it would be a good idea to send me your work ASAP)
Contact: For more information, please contact Beth at: bywritingworks at yahoo.com.au (please subsitute at with @)
More Detailed information:
These workshops would suit those who are working on a writing project, e.g. fiction (stories or a novel) or memoir/ travel narrative. Or, those who have such a project in mind, and would like to get started in a supportive but concrete way. (Yes – for this workshop you would have to produce a piece of writing – 1000-2000 words, first draft – towards your project every two weeks. This can be new material, or a rewrite.)
Sound scary? Don’t worry, as those of you who’ve been to my workshops will know, I will provide you with a framework of readings (examples of good, exciting, inspiring writing and thoughts by writers on the writing process), in-class writing exercises as a warm up, and I will also give you written feedback and a detailed edit on work submitted for workshopping each meeting.
Each workshop will focus on writing but equally on critiquing and editing – both structural and copy-editing. This two-pronged approach to the writing process means that you develop your skills to create new work, but also to shape it for an audience. Allowing our work to take shape in a safe and supportive space gives us the freedom to experiment, play, take risks. Fortnightly meetings mean you have time to write, and that you produce work each fortnight. (Nothing like a dedicated audience to keep one going!) The workshop operates on the understanding that you are producing mostly first or second drafts.
The masterclasses are open to those who have been to my Journeying Self or Creativity in Practice workshops – or those who have been in some other writing workshops – so that you have a foundation in writing craft and some of the techniques that bring both fiction and non-fiction alive for readers.
Numbers are strictly limited to 6 so that each person receives a substantial amount of time for feedback each meeting. If you are interested in attending, you would need to send me a half page description of your project, as well as a two page example of your writing. Because of limited numbers, inclusion in the workshop would be based on a selection process.
Please do let me know if you are interested! Thanks. I really do hope we have the numbers to proceed, and have a productive and stimulating autumn writing experience.
As WH Murray said (attributing it to Goethe): “Whatever you can do, or dream you can do, begin it. Boldness has genius, power, magic in it. Begin it now.”
ARCHIVES of March , 2011
- Asia-Pacific Writers supports S.E.A.Write Festival 2012
- Review: Ora Nui 2012 Maori Literary Journal
- FEATURE FILM REVIEW: SKY WHISPERERS: RANGINUI
- Review: THE PARIHAKA WOMAN
- Cha “Encountering” Poetry Contest
- Writing Out of Asia
- ME’A KAI The Food and Flavours of the South Pacific
- WILFUL BLINDNESS - WHY WE IGNORE THE OBVIOUS AT OUR PERIL
- ME TE OTURU: RADIANT LIKE THE FULL MOON - A REVIEW ESSAY OF FIONA KIDMAN’S MEMOIRS.
- Good news for readers of Indonesian literature in translation!
- UEA Fellowship for creative writers living in South Asia
- MORE THAN 1.5 MILLION VISITORS
- Writing Across Cultures’ papers & provocations available online
- Memoir/ Fiction/ Travel Writing masterclasses with Beth Yahp
- Yuanxiang (Otherland Literary Journal) No. 13, 2011 now out
- REVIEW: WATER WHISPERERS TANGAROA
- Review: The World According to Monsanto
- SHAPESHIFTING PASSAGES
- ICPC Statement on the Passing of Zhang Jianhong
- REVIEW:TALANOA, TAFAKATATA, TAFAKALANU: TONGAN STORIES FROM THE PACIFIC
- REVIEW: ROUTES AND ROOTS: NAVIGATING CARIBBEAN AND PACIFIC ISLAND LITERATURES
- REVIEW: MY UROHS
- Review: FOOD FROM NORTHERN LAOS – THE BOAT LANDING COOKBOOK
- REVIEW: BETRAYAL, TRUST AND FORGIVENESS – A GUIDE TO EMOTIONAL HEALING AND SELF-RENEWAL
- ASM TO LAUNCH 13 NEW BOOKS ON SATURDAY DECEMBER 18
- Collected Works Bookshop, Melbourne
- National Novel Writing Month
- PEN All-India Statement on Rohinton Mistry Ban
- Dr. Liu Xiaobo, is awarded to the Nobel Peace Prize for 2010
- Oceanic Conference on Creativity and Climate Change - Oceans, Islands and Seas
- Kia Ora Book and DVD review
- A Joint Statement on the Trial of Dr Liu Xiaobo
- *CALL FOR SHORT STORIES*
- Review: THE TROWENNA SEA
- WRITING ACROSS CULTURES
- Atlas of Unknowns, by Tania James
- GuideGecko Writing Contest
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- Peril’s Call for Submissions - Issue 8
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- Seventh issue of Cha: An Asian Literary Journal has now been launched
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- 2009 Indonesian Arts and Culture Scholarship Program
- Release Dr. Liu Xiaobo
- Talk and Reading By RANDHIR KHARE
- Launch Beyond the Beaten Track: Offbeat Poems from Gujarat
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- The Asia-Pacific Writing Partnership Relocates to the University of Adelaide
- The sixth issue of Cha: An Asian Literary Journal has now been launched
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- Sherna Khambatta Literary Agency
- Update: Centre for Literary Arts and Publishing
- Literatures in Other Languages
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- Reflections on an Online Journal
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- Ellipsing, Elapsing
- Whose Woods These Are
- The Mourning Months
- Smashing up the Grand Piano
- Spectral Questions of the Body
- At Hac Sa Beach, Macau
- Bad English
- Flowers are as permanent as Brick
- A Veteran Talking
- A Water Planet
- To John Lyman and the Portrait of his Father
- There’s Always Things to Come back to the Kitchen for
- The Ghost in the Mirror
- The Killing