Lauren Schellenberg,
Boundaries and Power in The Journey Home/Te Haerenga Kainga
Lauren Schellenberg,
University of Manitoba
In her book The Journey Home/Te Haerenga Kainga, Cathie Dunsford explores several issues that have created debate and contention within the feminist academic community. Her novel tells the story of the heroine, Cowrie, a native of Aotearoa New Zealand who travels to San Francisco, USA, for her studies. Her journey is filled with challenges that represent those that are
Liz Millward,
Learning to Listen
Liz Millward, University of Manitoba
from sessions at THE UNIVERSITY OF MANITOBA, WINNIPEG, CANADA
When I first read The Journey Home/Te Haerenga Kainga I was desperate to read work by lesbians from Aotearoa New Zealand and was afraid it might be a pale imitation of North American (or British) tales of lesbian subjectivity. After all, coming from the Antipodes had to have an impact on a lesbian’s experience and knowledge of the world, but what gets
Bibliography
Alexander, M. Jacqui. Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory and the Sacred. Durham: Duke University Press, 2005.
Anderson, Kim. A Recognition of Being: Reconstructing Native Womanhood. Toronto: Second Story Press, 2000.
Bell, David and Joanne Hollows, “Mobile Homes.” Space and Culture 10:23 (2007): 22-39.
Butler, Octavia. Bloodchild and Other Stories. New York and London: Four Walls Eight Windows, 1995.
Sarah Sahagian
QUEENS UNIVERSITY, KINGSTON, ONTARIO, CANADA
Possibilities for Indigenous Feminism in
Cathie Dunsford’s The Journey Home
Sarah Sahagian, Queen’s University
In my experience as a Women’s Studies student, we talk a lot about what feminism is or means in our classes. What is feminism, we debate? What does it mean when we claim to be feminists, we wonder? How should we express what our feminism is, we ask? Recently, I found a potential answer in Dunsford’s book, The Journey
Katherine McKittrick
QUEENS UNIVERSITY, KINGSTON, ONTARIO, CANADA
Dancing with Audre Lorde: Positive Obsession, Knowledge, and Some Explosions Inspired by
Cathie Dunsford’s The Journey Home Te Haerenga Kainga
Katherine McKittrick, Queen’s University
In 2003, when the Department of Women’s Studies at Queen’s University, in Kingston, Canada, asked me to teach an upper year seminar course titled ‘Aboriginal Women,’ I anxiously said ‘yes.’ I was anxious for a few reasons: I worried (and continue
EDITION CATEGORY
THIS EDITION ENTRIES
- Vaka Moana Part 2 Contents
- Literary Criticism of the Cowrie Novel Series: A Documentation
- Unuhia ki te Ao Marama: Draw Forward into the World of Light : Writing Ourselves, Our Politics ...
- Women Who Ride Whales: Publishing, Women’s Literature and Creative Writing from the South Paci
- From Pele to Laukiamanuikahiki:
- Love Vibe
- Experiencing Talkstory as a Storyteller
- An Interview with Cathie Dunsford and Karin Meissenburg
- Short Reflections on the Practice of Talkstory
- Dreams in Cathie Dunsford’s The Journey Home
- Boundaries and Power in The Journey Home/Te Haerenga Kainga
- Learning to Listen
- QUEEN’S BIBLIOGRAPHY
- Possibilities for Indigenous Feminism in Cathie Dunsford’s The Journey Home
- Dancing with Audre Lorde: Positive Obsession, Knowledge, and Some Explosions…
- Cathie Dunsford’s Literature: Bibliography
- Cathie Dunsford’s Literature:
- Cathie Dunsford"s Literature: Maoritanga — A Way of Life, A World View
- Cathie Dunsford"s Literature: “A Heap of War, a Heap of Peace”…Fusing Fact and Fic
- Cathie Dunsford"s Literature: A Holocaust Denied: The Impact of Colonialism
- Cathie Dunsford"s Literature: Envisioning the Future into Existence
- Cathie Dunsford"s Literature: Talkstory the power of storytelling
- Cathie Dunsford"s Literature: A Web of Collective Knowledge
- Cathie Dunsford’s Literature and Literary Activism in the South Pacific:
- Preface
- Introduction: Global Talkstory Or, Confessions of a Punk Rock Earth Warrior