今年
六 四之夜
请点亮一支蜡烛
今年,二零零九年的六月 四日,是震惊中外的北京天安门民主运动整整二 十周年。
二 十年前,无数忧国忧民的中国青年学生,为了国家的民主富强,发出了反专制反贪腐开放党禁报禁的强烈呼声,却遭到了执政当局的无情镇压。多少热血青年的热血,又一次洒在了他们所挚爱的土地上。
二 十年来,中国确实发生了很大的变化,经济得到了长足发展,人民生活有了明显改善,但执政当局曾经许诺的政治体制改革几乎停滞,六 四当年的强烈要求不仅没有兑现,反而贪腐愈演愈烈,贫富更加悬殊,资源枯竭环境污染……二 十年了,尽管当局淡化了那场运动的性质,但冤案没有得到平反,正义没有得到伸张。
公正地说,中国今天的经济成就,老百姓有所得益,离不开那场民主运动;许多海外华人的居留发展,享受自由民主安康,更与六 四息息相关。饮水思源,我们不能愧对已经离开人世二 十周年的死者。我们秉着良心吁请全球华人,地不分东西南北,人不分男女老幼,在今年的六
Please light a candle on June 4Th 2009
4TH June 2009, is the twentieth anniversary of Tiananmen Square Pro-Democratic Movement, which shocked the whole world.
Twenty years ago, countless Chinese students were getting together in Tiananmen Square Beijing and shouting out anti-autocratic, anti-corruption slogans and asked the Government to give people the rights to form a party and lift the ban on the media to make a better China.
Unfortunately the movement had been
EVENT
In a session called Anatomizing the colonised mind: reading and discussion of Echoes of Silence, the author, Chuah Guat Eng, will read from her novel on Saturday, 23 May at Silverfish Books, 58-1 Jalan Telawi, Bangsar Baru, 59100 Kuala Lumpur (Tel: 228 448 37) at 5.00pm.
Echoes of Silence is the first full-length novel in English by a Malaysian woman. Critically acclaimed when it first appeared in 1994, it has been enjoyed by general readers, and studied by students and
The directorial debut of Park Chan-ok was inspired by the poem of the same name by Ki Hyung-do. Featuring a quiet, introspective protagonist, an understated approach to story telling and leisurely pacing the movie, Jealousy is my middle name, is a complex and subtle character study. When his publisher friend keeps stealing the girls he likes, Won-sang goes to work for him, shrewdly playing the role of helpful assistant while planning revenge. But the two men gradually realize
Chinese Contemporary Art Consultants presents the art of Yang Yongliang. “On the Quiet Water” is a showcase of Yang’s most recent images from 2006-8.
This collection of photographic works muses on urbanisation and modernisation with reimaged traditional Shan-Shui (Mountains and Streams), landscapes and futuristic explosions. With a strong foundation in traditional Chinese artistic forms, followed by participation in a Shanghai experimental art group, Yang has produced